Are Iloilo artists really being heard?

By Noel Galon de Leon

On September 11, 2025, I was given the opportunity to attend the Tourism Stakeholder Consultation Workshop for Culture, Heritage, and Arts held at the Economic Museum in Iloilo City. The invitation came from a respected cultural worker whom I deeply admire, Ma’am Ma. Luisa Segovia. The moment I received her invitation, I did not hesitate to say yes. I have long believed in her ability to lead meaningful cultural initiatives, and I knew that this workshop would not only be enlightening but also an important step toward strengthening the role of arts and culture in our city.

From the very beginning, the event carried with it a sense of purpose. It was not just another meeting or discussion; it was a space where voices could be heard, ideas could be shared, and visions for the future of Iloilo’s cultural landscape could be aligned. As cultural workers, artists, and community leaders gathered in the museum, I felt both excitement and responsibility. Excitement, because it was heartening to see colleagues and friends who are passionate about serving the community through the arts. Responsibility, because I understood that the conversations we were about to have could shape the policies and programs that would influence the future of culture and heritage in Iloilo City.

One of the important realizations I gained from the consultation was that, despite the many initiatives already being carried out, there is still so much work to be done. The arts and culture sector in Iloilo City continues to face challenges, limited funding, lack of infrastructure, uneven access to resources, and sometimes, insufficient recognition of artists’ contributions. Consultations like this are therefore crucial. They provide a platform for stakeholders not only to voice out concerns but also to propose practical solutions. They ensure that cultural development is not dictated from the top down but is built collaboratively, with the participation of those who live and breathe the arts every day.

Personally, the consultation was also a moment of healing and affirmation. In the past, I had experiences where I felt that my presence and my work were merely used to push forward the plans of others, plans that did not genuinely consider the well-being of the artists involved. Such experiences left me disheartened and distrustful. That is why it was refreshing and uplifting to be in a space where sincerity, respect, and genuine concern for the arts community were evident. It gave me renewed hope that the future of Iloilo’s cultural scene can be more inclusive, collaborative, and ethical.

Seeing familiar faces, friends, fellow cultural workers, and advocates reminded me that we are not alone in this journey. Many of us are tirelessly working, often silently, to preserve our heritage, promote our local culture, and create platforms for artistic expression. At the same time, I also acknowledged the absence of certain individuals whose previous attitudes caused division rather than unity. While it was unfortunate that such dynamics exist, their absence allowed the consultation to proceed with more openness and honesty.

One of the highlights of the event was the presence of Jay Trenas, who not only attended but also shared a meaningful message. His participation signaled that there is a growing recognition among local leaders of the importance of arts and culture in community development. My hope is that Jay, along with other officials, will become true instruments in bridging the gap between artists and policymakers. If he can carry the concerns and needs of the artists to the appropriate authorities, then this consultation would already have achieved something valuable.

Looking at the bigger picture, I believe consultations like this should not be treated as isolated events. They should be part of a continuing dialogue, one that translates into concrete programs, sustainable support, and lasting partnerships. Culture, heritage, and arts are not mere accessories to tourism or economic growth, they are at the heart of our identity as Ilonggos. They carry our history, shape our values, and inspire our future. If we nurture them, we nurture our people.

As I reflect on my experience, I feel grateful to have been part of this important gathering. It reaffirmed my belief that the arts can flourish if given the right environment, and that true progress happens when artists, cultural workers, communities, and government work hand in hand. Most of all, it reminded me of why I chose to be part of this field: because I believe in the power of culture and the arts to bring people together, to heal, and to transform society.

My prayer is that this consultation will not end with words but will lead to action. That the plans discussed will not remain on paper but will take shape in real programs that uplift artists, strengthen cultural institutions, and preserve Iloilo’s rich heritage for generations to come.