By Noel Galon de Leon At first, Patrick Jamora’s Gold Earring may seem simple, but there’s something about it that draws you in. At first glance, the ...
By Noel Galon de Leon Joemel Mirabuena’s Threshold of Time (2026), an oil and acrylic painting on a 48 × 36-inch canvas, presents time not as a neutra...
by Noel Galon de Leon In Uma-Asenso and Panublion sang Panguma by Joshua “Wawa” Gabayeran, the farmland is not merely a quiet landscape but is transla...
Ahead of Iloilo City’s Charter Day on August 25, the Iloilo Museum of Contemporary Art (ILOMOCA) turns its gaze toward home with Pagpauli, Iloilo, a s...
By Noel Galon de Leon At first glance, Kyle Francis Dile’s Hamili nga Kalipay appears to be a sentimental return to a simple childhood experience. A y...
by Noel Galon de Leon What, exactly, is being placed on the table by this new art exhibition curated by Elvert Bañares amid the continuing conversatio...
ILOILO CITY — Key stakeholders gathered at Iloilo City Hall on Aug. 11 for a consultative discussion under the project “Namit Gid!: A Multistakeholder...
The City of Smiles is once again turning its lens toward homegrown talent. Local officials and festival organizers officially kicked off the 3rd Bacol...
Do you sometimes have this longing to be transported back to the past, way before the colonizers? Sometimes, on the most random of days, I can’t help ...
