Clarence Ceriola: The Sea Isn’t Silent — And Neither Is Art

By Noel Galon de Leon

At just 19 years old, Clarence Ceriola, a young visual artist from Buenavista, Guimaras, is already carving out his place in Iloilo’s vibrant art community. With a practice rooted in storytelling, cultural observation, and social issues, Clarence’s works speak not just of personal expression but of a deeper desire to connect with his community and give voice to the often unseen and unheard.

Clarence’s journey into the arts started in the most ordinary yet heartfelt way, through admiration for his older brother. As a young boy, he would often watch his manong sketch and draw. Like many younger siblings, he was eager to imitate, pestering his brother until, perhaps out of impatience, he finally taught Clarence the basics of drawing. What began as simple sibling mimicry soon became a deeper passion, one that carried Clarence through his school years. Encouraged by teachers who saw his talent, he began joining art contests, slowly realizing that this wasn’t just a hobby, it could be something more.

When asked about his inspirations, Clarence speaks warmly of those closest to him. His older brother was his first artistic hero, but today, he draws inspiration from Iloilo’s local art scene, particularly artists like Marrz Capanang of Kikik Kollektive. “Seeing their works and their dedication made me realize this isn’t just a hobby, it’s possible to build something meaningful out of it,” Clarence shares. Constant exposure to fellow artists and community-driven initiatives has shaped his perspective, giving him a clear sense of purpose in his creative journey.

Clarence’s paintings are often centered around narratives deeply familiar to Filipinos, tales from childhood, folk stories, and everyday scenes that reflect the nation’s cultural fabric. However, he also delves into more urgent topics like social issues, injustices, and the lived realities of marginalized communities. Drawing from personal experiences and keen observation of his surroundings, Clarence describes himself as naturally observant, always attuned to the stories and struggles around him.

“I want people to understand that art isn’t just for decoration,” he says. “It can reflect our realities, provoke thought, and inspire action. Through my works, I hope others feel seen and heard, that their stories matter.”

‘Art for Everyone’ and the Voices of the Sea

One of Clarence’s proudest moments as a young artist was participating in the “Art for Everyone” exhibit at SM City Iloilo, where he contributed as part of the Kikik Kollektive. Their collective work, titled “Ang Dagat Samtang Mas Maarat”, speaks directly to the lives of Filipino fisherfolk, those whose struggles are often overlooked despite their vital role in society. “Growing up in Guimaras, I’ve seen these realities firsthand. My family also has roots in Zambales, by the sea, where I’ve heard stories of the hardships fishermen endure. This project felt deeply personal,” Clarence explains.

Through this exhibit, Clarence and his fellow artists aimed to remind the fishing communities that they are not alone. “We want them to know that there are people, artists, individuals who hear their calls and share in their fight. That’s the power of art.”

Like many young artists, Clarence’s path hasn’t been free of challenges. Financial limitations and lack of resources often make pursuing creative work difficult. However, his passion has always kept him going. “There are times it gets exhausting, when it feels like the passion is fading, I remind myself to rest, not to quit. What matters most is not giving up on your dreams.”

He credits much of his perseverance to the support of mentors, friends, and teachers who continue to believe in his potential. “Their encouragement gives me the strength to keep creating. They’ve played a huge role in shaping who I am as an artist.”

Clarence dreams not just for himself but for Iloilo’s entire art community. He hopes to see greater appreciation and support for artists, a recognition of art’s capacity to effect meaningful change. “I dream of a future where art is not sidelined but valued for what it brings to society. I hope artists in Iloilo will be part of that transformation.”

He envisions himself continuing to contribute through collective efforts and projects that highlight the unique stories and struggles of local communities. For Clarence, art will always be intertwined with activism, education, and social responsibility.

To young artists who are just beginning their journeys, Clarence offers heartfelt advice born from his own experiences: “If you truly love what you’re doing and understand why you’re doing it, keep going. Don’t let go of your passion. Rest when you’re tired, but don’t give up on your dreams. It’s okay to pause, what’s important is you never stop moving forward.”

Clarence Ceriola is currently pursuing a Bachelor of Culture and Arts Education at West Visayas State University. Working primarily with acrylic, graphic design, and comics, Clarence’s art explores themes of politics, culture, nature, and everyday Filipino life. His visual style reflects his background in comics, blending narrative elements with expressive visuals. He is an active member of Kikik Kollektive and Pasyon Komiks, where he continues to produce art rooted in community engagement and social awareness.

Through his work, Clarence Ceriola reminds us that even the simplest stories, from island life to tales of the sea are never truly small. In the hands of an artist, they become acts of resistance and reflections of truth. His art dares us to look closer, listen deeper, and never forget where we come from.

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Noel Galon de Leon is a writer and educator at University of the Philippines Visayas, where he teaches in both the Division of Professional Education and U.P. High School in Iloilo. He serves as an Executive Council Member of the National Commission for Culture and the Arts-National Committee on Literary Arts.